有时候觉得自己很幼稚 但也想一直没心没肺的二下去


New York

The Rains of New York

New York rain is a rain of exile. Abundant, viscous and dense, it pours down tirelessly between the high cubes of cement into avenues plunged suddenly into the darkness of a well: seeking shelter in a cab that stops at a red light and starts again on a green, you suddenly feel caught in a trap, behind monotonous, fast-moving windshield wipers sweeping aside water that is constantly renewed. You are convinced you could drive like this for hours without escaping these square prisons or the cisterns through which you wade with no hope of a cistern or a real tree. The whitened skyscrapers loom in the gray mist like gigantic tombstones for a city of the dead, and seem to sway slightly on their foundations. At this hour, they are deserted Eight million men, the smell of steel and cement, the madness of builders, and yet the very height of solitude. “Even if I were to clasp all the people in the world against me it would protect me from nothing.”

The reason perhaps is that New York is nothing without its sky. Naked and immense, stretched to the four corners of the horizon, it gives the city its glorious mornings and the grandeur of its evenings, when a flaming sunset sweeps down Eighth Avenue over the immense crowds driving past the shop windows, whose lights are turned on well before nightfall. There are also certain twilights along Riverside Drive, when you watch the parkway that leads uptown, with the Hudson below, its waters reddened by the setting sun; off and on, from the uninterrupted flow of gently, smoothly running cars, from time to time there suddenly rises a song that recalls the sound of breaking waves. Finally I think of other evenings, so gentle and so swift they break your heart, that cast a purple glow over the vast lawns of Central Park, seen from Harlem. Clouds of Black children are striking balls with wooden bats, shouting with joy; while elderly Americans, in checked shirts, sprawl on park benches, sucking molded ice creams on a stick with what energy remains to them; while squirrels burrow into the earth at their feet in search of unknown tidbits. In the park’s trees, a jazz band of birds heralds the appearance of the first star above the Empire State building, while long-legged creatures stride along the paths against a backdrop of tall buildings, offering to the temporarily gentle sky their splendid looks and their loveless glance. But when this sky grows dull, or the daylight fades, then once again New York becomes the big city, prison by day and funeral pyre by night. A prodigious funeral pyre at midnight, as its millions of lighted windows amid immense stretches of blackened walls carry these swarming lights halfway up the sky, as if every evning a gigantic fire were burning over Manhattan, the island with three rivers, raising immense, smoldering carcasses still pierced with dots of flame.

I have my ideas about other cities but about New York only thesse powerful and fleeting emotions, a nostalgia that grows impatient, and moments of anguish. After so many months I still know nothing about New York, whether one moves about among madmen here or among the most reasonable people in the world; whether life is as easy as all America says, or whether it is as empty here as it sometimes seems; whether it is natural for ten people to be employed where one would be enough and you are served no faster; whether New Yorkers are liberals or conformists, modest souls or dead ones; whether it is admirable or unimportant that the garbage men wear well-fitting gloves to do their work; whether it serves any purpose that the circus in Madison Square Garden puts on ten simultaneous performances in four different rings, so that you are interested in all of them and can watch none of them; whether it is significant that the thousands of young people in the skating rink where I spent one evening, a kind of velodrome d’hiver bathed in reddish and dusty lights, as they turned endlessly on their roller skates in an infernal din of metal wheels and loud organ music, should look as serious and absorbed as if they were solving simultaneous equations; whether, finally, we should believe those who say that it is eccentric to want to be alone, or naively those who are surprised that no one ever asks for your identity card.

In short, I am out of my depth when I think of New York. I wrestle with the morning fruit juices, the national Scotch and soda and its relationship to romance, the girls in taxis and their secret, fleeting acts of love, the excessive luxury and bad taste reflected even in the stupefying neckties, the anti-Semitism and the love of animals– this last extending from the gorillas in the Bronx Zoo to the protozoa in the Museum of Natural History–the funeral parlors where death and the dead are made up at top speed (“Die, and leave the rest to us”), the barber shops where you can get a shave at three in the morning, the temperature that swings from hot to cold in two hours, the subway that reminds you of Sing Sing prison, ads filled with clouds of smiles proclaiming from every wall that life is not tragic, cemeteries in flower beneath the gasworks, the beauty of the girls and the ugliness of the old men; the tens of thousands of musical-comedy generals and admirals stationed at the apartment entrances, some to whistle for green, red, and yellow taxis that look like beetles, others to open the door for you, and finally the ones who go up and down all over town like multicolored Cartesian drivers in elevators fifty stories high.

Yes, I am out of my depth. I am learning that there are cities, like certain women, who annoy you, overwhelm you, and lay bare your soul, and whose scorching contact, scandalous and delightful at the same time, clings to every pore of your body. This is how, for days on end, I walked around New York, my eyes filled with tears simply because the city air is filled with cinders, and half one’s time is spend rubbing th eeyes or removing the minute speck of metal that the thousand New Jersey factories send into them as a joyful greeting gift, from across the Hudson. In the end, this is how New York affects me, like a foreign body in the eye, delicious and unbearable, evoking tears of emotion and all-consuming fury.

Perhaps this is what people call passion. All I can say is that I know what contrasting images mine feeds on. In the middle of the night sometimes, above the skyscrapers, across hundreds of high walls, the cry of a tugboat would meet my insomnia, reminding me that this desert of iron and cement was also an island. I would think of the sea then, and imagine myself on the shore of my own land. On other evenings, riding in the front of the Third Avenue El, as it greedily swallows the little red and blue lights it tears past at third story level, from time to time allowing itself to be slowly absorbed by half-dark stations, I watched the skyscrapers turning in our path. Leaving the abstract avenues of the center of town I would let myself ride on toward the gradually poorer neighborhoods, where there were fewer and fewer cars. I knew what awaited me, those nights on the Bowery. A few paces from the half-mile-long stretch of splendid bridal shops (where not one of the waxen mannequins was smiling) the forgotten men live, those who have let themselves drift into poverty in this city of bankers. It is the gloomiest part of town, where you never see a woman, where one man is every three is drunk, and where in a strange bar, apparently straight out of a Western, fat old actresses sing about ruined lives and a mother’s love, stamping their feet to the rhythm and spasmodically shaking, to the bellowing from the bar, the parcels of shapeless flesh that age has covered them with. The drummer is an old woman too, and looks like a schreech owl, and some evenings you feel like you’d like to know her life– at one of those rare moments when geography disappears and loneliness becomes a slightly confused truth.

At other times…but yes, of course, I loved the mornings and the evenings of New York. I loved New York, with that poerful love that sometimes leaves you full of uncertainties and hatred: sometimes one needs exile. And then the very smell of New York rain tracks you down in the heart of the most harmonious and familiar towns, to remind you there is at least one place of deliverance in the world, where you, togethr with a whole people and for as long as you want, can finally lose yourself forever.

1947-Albert Camus

der Leuchtturm 2014.9.10


这么多年一直有随时记记画画的习惯,来德一周逛了文具店发现小本子贵的吓人,但是没计划会死星人今天还是下决心买了一个,回来想查查淘宝看看自己买亏了没(国内小屌丝心态哈哈),意外搜出来了许多网页,发现路边小店买的这个本子居然很有名,知乎上还有对比贴Leuchtturm1917 对比 Moleskine,Leuchtturm1917在欧洲有很长的历史,打开还有亲笔签名,其实买它的时候只是觉得der Leuchtturm这个词和我的微博简介有异曲同工之处,也蛮符合现在的心境,leave the light on.






最后用里克尔的一句诗结尾吧,Wer spricht von Siegen?überstehen ist alles .

“没有什么胜利可言 挺住就意味着一切。”







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何时德语才能gut sprechen